"I'm a rich man, but - I need my job as a station agent!" Banker, theater owner, prominent in politics, and a railway agent for 40 years.
Also instrumental in bringing the silk mill to Shamokin.
There were several Majestic theaters in Shamokin - the first existing prior to 1909. In 1910 it was purchased by George Joseph Higgins, who within 2 weeks of purchasing was informed the theater could not meet state regulations.
So he built a new theater.
There were a series of large fires in Shamokin in 1917. The New Majestic was one of four buildings destroyed on June 1st 1917. Before the fire, Higgins had already purchased property and was in the process of building another Majestic. On January 25th 1918, the Mount Carmel Item reported that the G.J. Higgins and son of Shamokin 'who operate the two Majestic Theaters in Shamokin, and the Majestic at Pottsville"
Higgins would go on to own Majestic Theaters in several towns. George Higgins was a wealthy man - who never gave up his job as a railroad station agent.
In 1928, American Illustrated Magazine ran a 6 page article titled "I'm a rich man, but - I need my job as a station agent!" It's a charming interview with Higgins about his business dealings. (I included scans of the article, at the bottom of this post.)
Born 1865, son of John & Margaret [Franey] Higgins, was born in Tamaqua on July 26th 1865. He married Julia Margaret Tobin in October of 1891. Was a railway agent for more than 40 years. Also a banker, theater owner, and prominent in politics. George died September 7th 1931, age 66. His obituary listed two children, Mrs. Margaret Nagle, and John Higgins.
Recently, while working on something unrelated, I realized that an earlier post on my blog was also about Higgins - and his time in Allenwood Pa.
George J. Higgins, agent, arrived at Allenwood on the No. 5 Train, October 21st 1888. He recalled that Martin Kelley was the conductor. Higgins remained at Allenwood until December 8th 1888. In 1929, when honored by the Reading Club, he spoke of his time at Allenwood Station - read what he had to say, here: https://susquehannavalley.blogspot.com/2022/02/the-allenwood-train-station.html
George J. Higgins died September 7th 1931. His obituary, which ran in two parts, took up 6 columns on two different pages of the Shamokin News Dispatch.
USEFUL LIFE ENDED
George J. Higgins, who succumbed yesterday, had in fifty-two years of service as an employee of the Reading Railway company, ascended from messenger boy to company representatives here, where he served for forty successive years. A man of great personal magnetism and popularity , he had contributed to the community a powerful influence in a constructive way toward the Greater Shamokin which has been the ambition of every loyal resident. His one of the town's most familiar figures and his activities have left a lasting monument in the memory of everyone, his death being mourned by men, women and children alike and who unite in their sympathy to the grieving family.
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The full, longer, obituary is on down below.
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Obituary For George J Higgins
LONG ILLNESS IS FATAL FOR GEO: HIGGINS
Veteran Reading Station Agent, Outstanding Citizen and Champion of a Greater Shamokin, Succumbs After Valiant Battle to Regain Health- -Brilliant Career
George J. Higgins, outstanding citizen and champion of a Greater Shamokin, veteran employee of the Reading Railway company and agent for that company here for more than forty years, banker, theatre owner and prominent in politics, died at the family residence, 1610 West Arch street, at 8 yesterday morning from a complication of diseases, his death coming as a shock to the community as a whole and at a time when it was believed by friends that the popular 'Duke of Edgewood,' as Mr. Higgins was familiarly known was recuperating from a protracted illness. News of the demise of Mr. Higgins spread quickly thruout this locality in which he had been such an eminent citizen, and during yesterday was the subject of subdued conversation among grieving neighbors, friends and employees.
A sufferer from diabetes for the past several years and for which he had been receiving treatment at the hands of the family physician and specialists, Mr Higgins' illness did ot become acute until early in May, when he was advised to enter the Dr. Pierce Hospital, Buffalo, N. Y., for treatment. entered that institution on May 18th and for more than three months had been under the care of the eminent specialist. Submitting to a major operation, the widely known man of diversified interests enjoyed slow but steady progress and on Wednesday two weeks had sufficiently regained his ago health and strength to permit his return home.
He arrived in fine spirits and apparently greatly improved health and at once began to take up the threads of his business activities where he had left them almost four months ago. For two days Mr. Higgins moved with alacrity in concentrating his attention to important business matters, welcomed solicitous friends to his home and rejoiced in reunion with his family circle.
But the improvement was of brief duration. Last Friday night a week ago, Mr. Higgins was stricken with a severe chill and a heart complication, the combined unexpected attacks early manifesting a serious change for the worse in his condition. Physicians were called into consultation and quickly recognized an acute kidney affliction. Two trained nurses were summoned and joined with a devoted wife and family in administering to the critically ill patient. Heroic treatments for a time brought some relief but over the past week-end Mr. Higgins steadily lost strength and early yesterday morning passed into a peaceful last sleep, while grieving members family were gathered at the bedside.
George Joseph, son of John F. and Margaret E. (Franey) Higgins was born at Tamaqua, July 26, 1865. Early in boyhood he removed with his parents to Shenandoah where the family became one of the best known in that town and where the son, George, received his early education in the parochial and public schools.
George J. Higgins began his railroad career on February 1st, 1879 as a messenger boy under the office of chief clerk, ticket agent and telegrapher at the Shenandoah station of the Reading Company. As a messenger boy at the telegraph office in the business section of Shenandoah, the embryo telegrapher and future company agent had the distinction on July 2, 18811 of broadcasting by word of mouth to the people Shenandoah the assassination of President James A. Garfield by Charles Gateau.
Having acquired a broad and thoro knowledge of railroad work, Mr. Higgins transferred in 1883 to scale clerk, ticket agent and telegrapher at Frackville where he remained until 1886 when he was sent to Cressona as chief clerk to W. H. Keffer, then agent and who subsequently became general superintendent of the Reading Company. A short time later he was made chief clerk and operator at the company's station in his home town of Shenandoah and where he remained until 1888 when he was directed to report as agent at Locust Gap. As he alighted from the train to assume what was to have been first official post under the big railroad company, a messenger handed him a telegram from Superintendent Lawer directing him to return to Shenandoah. In October, 1888, he was transferred to the agency at Allenwood where he continued until May of 1891 when he was appointed agent at Locust Gap. Already recognized as a valuable employee, Mr Higgins served as agent at Locust Gap but a short served time for on June 1, the same year, he was made general agent at the local station and continued in that capacity, as well as express agent, to the time of his death.
Thruout his fifty-two years of service, George Higgins came to win the confidence of every official and employee of the company with whom he came in contact. It was always said of him that his influence with officials, with many of whom he had toiled as telegrapher and in other capacities and thus counted them among his closest personal friends, was greater than that of any other man in the company's employ. His knowledge of railroad work, his keen observance of business possibilities and conditions, made him a valuable employee and he was oft times called into conference with the executives to assist in solving important freight and other railroading problems. Seldom did any high official of the Reading pass thru Shamokin| without first telegraphing telephoning Mr. Higgins of the hour of his arrival and at these meetings he always cordially welcomed and was times taken on inspection tours to advance recommendations for improvements in service.
As the head of passenger, freight and express service Mr Higgins was the company's representative in the employment of large numbers of men and over whom he had jurisdiction. To each of these he imbued the spirit of loyalty and in return for co-operation, many won continued advancement as long as railroad work permitted and several of the present employees have as high as thirty years of service under his direction| and came to look upon Mr. Higgins as their most loyal friend.
On December 11, 1929, highest officials of the Reading Railway company came to this city to attend a meeting of the Reading Club and at Which time Mr. Higgins celebrated the fiftieth anniversary of his service with the corporation. He was highly praised by General Superintendent W. B. Fisher and Division Superintendent A. J. Farrell, with both of whom he had served as telegrapher in earlier days, as one of the company's most valued and highly respected employees.
Both officials recounted that while entitled to the privileges of retirement, Mr. Higgins had continued his activities because of his interest in the success of the company in a commercial way and to maintain his close contact with his many railroad and other friends with whom he had daily contact while in health.
The high position thus occupied by George J. Higgins made him a man of influence in Shamokin and Coal Township. His interests became widely diversified and with the coming of the motion picture as a medium of entertainment, he was one of the pioneers in that industry locally, having established his first theater in a small way in what is now the arcade building on Independence Street. The mushroom of the growth of the theater business made it one wherein it early became a business of the survival of the fittest and the present Majestic Theater, which supplanted the original small playhouse, attests to the business acumen of Mr. Higgins in that respect. As one catering to clean and wholesome entertainment, Mr. Higgins quickly won recognition, of amusement seekers coming of success and considerable wealth in his local theater enterprise, he subsequently launched playhouse enterprises at Pottsville, Gettysburg, Mt.Carmel and Tamaqua.
At the latter place he became co-partner with many fellow officials of the Reading company and citizens of Tamaqua in the building of the combined Majestic the most pretentious business places Theater and hotel property, as one of in the railroad town. As a theatrical man, Mr. Higgins became known to the heads of the greatest film corporations and continued to hold the friendship of the giants of this industry thru many years.
What is now the Higgins Amusement Enterprises, Inc, of which Mr. Higgins was president, had its beginning with the establishment of the theater in the then market house arcade. The original theater Majestic, had a very small seating capacity and the enterprise popularity of necessitated the two recreational subsequent enlargements to meet the demands of patrons. Its destruction by fire in 1917 prompted the erection of the New Majestic and which launched a new era in regional theater construction as it was then the largest and most elaborate motion picture theater in the anthracite region.
The Majestic at Pottsville was the second of the amusement enterprises, having been established in 1910 while the Majestic Theater and hotel at Tamaqua was erected in 1924-1925. In the interim, Mr.Higgins was for a time interested in theatrical enterprises at Mt. Carmel and Gettys- burg but because of press of other business disposed of these interests some years ago.
With the founding of the Shamokin Chamber of Commerce the now lamented citizen was one of its most ardent supporters and served on numerous committees. Thru interceding with higher officials of the Reading Railway Company and with whom he held close personal as well as business alliances, Mr. Higgins was able to bring many benefits to the commercial interests of Shamokin and also prompted numerous improvements to make the company property, attractive, effected co-operation between the officials of the company and borough authorities and was ever active in advancing every interest Shamokin.
He was one of the original members of Shamokin Council, Knights of Columbus, was identified with the Cresco Club, a charter member and one of the organizers of the Shamokin Country Club and held membership in the Sons of Veterans, Reading Railway Club, Reading Veterans Association and several other organizations.
Included among his other activities was the presidency of the Edgewood Garage, Inc., directorship of the National Bank of Shamokin and the presidency of the Higgins Entertainment Enterprises, Inc.
Accepted into the social life of the community early following his appointment to the local Reading agency, Mr. Higgins was one of the original members of the Clover Club, the membership of which ultimately joined in founding Shamokin lodge of Elks.
Mr. Higgins had originally held his Elk membership in Sunbury Lodge and where he was honored with election to the exclusive officerships and ultimately served as exalted ruler. It was [as] a member of the Sunbury Elks that he became active in the founding of Shamokin Lodge and participated as one of the officers in charge of the institution of the lodge here. Completing his period of service as an officer at Sunbury, Mr. Higgins transferred his membership to this city and continued as an active member up to the time of physical incapacitation.
He was also one of the founders of the Shamokin Valley Gun and Country Club, with clubhouse, grove and traps located near Elysburg and enjoyed thoroly the surrounding and good fellowship within the club. It was at this cub that Mr Higgins found his recreation from diversified business interest until ill-health forced him to obtain his periods of rest within the confines of his home.
That the baseball fans of the community might enjoy professional and league baseball, Mr Higgans was for many years one contributors to the sport and was an ardent follower of the same. He was equally liberal in his support of other community enterprises, was known as a philanthropist, and a quiet giver to the needy.
Politically, Mr. Higgins was a follower of the Jeffersonian principles, and at the time of entrance to Northumberland county he brought into play in the councils of his party the political schooling he had received at the hands of masters while a resident of Schuylkill county and from which district a brother, The Hon. John F. Higgins was for a number of years a state senator. Mr. Higgins received recognition of his party in the congressional district with election to office of national delegate, and as such attended the national convention at San Francisco, in 1920 and was a champion for a second term for Woodrow Wilson, memorable World War-time president.
Locally, Mr. Higgins was active in municipal, township, and county politics and always a liberal contributor to local, state and national campaign funds for the Democratic party principles and elections. For a time he served in borough council as a representative of the fifth ward where he resided at the time.
Religiously, Mr. Higgins was a devout Roman Catholic, held membership in St. Joseph's Church, was a member of all of the church organizations, including its charitable bodies His contributions to religious activities were always most liberal.
During the Old Home Week celebration here, Mr. Higgins was an outstanding member of the executive committee and by reason of his knowledge of detail work in connection with his railroad avocation, became chairman of major sub committees. He was also one of the supporters of ex-Burgess Dr. A. G. Shissler in the Shamokin Mummer parades which became outstanding in regional history.
George J. Higgins was married in October, 1891, to Miss Julia M. Tobin, a member of another widely known Shenandoah family and who, with the following children survives: Margaret E., wife of Harry Nagle; John F., identified with the active management of the Higgins Amusement Enterprises, Inc., two sisters, Miss Julia H. Higgins, of Shenandoah Mrs. Ira Wiltshire, of Bristol, Pa., and two brothers, Dr. James E. Higgins, of Philadelphia and Charles A. Higgins, of Tamaqua, and eight grandchildren, also survive.
The funeral will be held on Friday morning at 9:30 at St. Joseph's Church with solemn high mass of requiem. Burial will be made in St. Edwards cemetery.
In his profile photo, Jess Youngquest holds "Fred" - a Martin made mandolin that was designed by Claud Gaskins of Shamokin, and given to W.L. Scott (of the Repasz band in Williamsport) in 1899 for Christmas. Youngquest, a folk singer, found the mandolin at an antique shop in 1972, and has been playing it ever since. It's one of 3 known to still exist - the other two are in museums.
"Short history of 'Fred, She's a Mandolin'-- she was built by C.F. Martin in Sept 1899, given to W.L. Scott, of Williamsport, PA, as a Xmass present that year ( inscribed inside). I found her in an antique shop in '72 and have letting her sing ever since--" - Youngquest
The Martin Museum at 510 Sycamore Street in Nazareth, PA has a mandolin with a sign stating that it's the only known example of this instrument. Made by Martin, it was designed by Claud Gaskins, and interior designer from Shamokin Pa, in 1895. Turns out the museum was wrong - there are at least two others. One is now in a museum in Georgia, and the other, the most interesting is named "Fred" - owned and used by folk singer Jess Youngquest.
Claud H. Gaskins was born in Shamokin in 1867. He was known as a talented musician, and interior designer. His patent applications include a window blind, a dress hook, a fishing reel, and his best known - a "stringed instrument"- which was manufactured at least briefly by Martin, referred to today as the Martin Gaskins Mandolin. At least three of these instruments still exist today. Gaskin lived most of his life in Northumberland County, except for almost 10 years when he resided in Riverside, California. During his time in California, he was a violin maker. Claud's daughter was an accomplished violinist. Upon returning to Northumberland County, Claud lived in Mount Carmel Pa, working for the Grossman store as a designer. Claud died in 1937, at the age of 69. [A much more detailed biography is near the bottom of this post]
In December of 1895, after a series of rejections by the patent office, and then after paying a fee that would equal nearly $800 today, Claud finally received a patent for a "stringed instrument" .
"Fred" - & The Inscribed Case
"Short history of 'Fred, She's a Mandolin'-- she was built by C.F. Martin in Sept 1899, given to W.L. Scott, of Williamsport, PA, as a Xmass present that year (inscribed inside). I found her in an antique shop in '72 and have letting her sing ever since--" - Youngquest
Washington Lafayette Scott 1851-1932
The tombstone for Washington Lafayette Scott in Montoursville Cemetery, reads "Washington L. Scott 1851-1932 He was one of the oldest members of the Respaz band."
The son of William Remley & Anna Matilda Scott, W.L. Scott married Catherine Rote. His obituary tells us:
"Mr. Scott was born June 29 1851 at Lancaster and came to this city with his father soon after the Civil War. He was engaged in the manufacture and sale of cigars until 1910, and during the '80's he was foreman of John Spelley's cigar factory. He manufactured cigars at Montoursville and was the foreman of the Canton Cigar Factory.
The deceased was an accomplished musician. He played the cornet, alto horn,drums and stringed instruments and was one of the oldest members of the Repasz band. He was a member of the band from 1878-1894 and was the chief musician of the 12th Regiment NGP. The old Stopper band, the Fisk band, the drum corps numbered him among their members. He sang in St. Mary's Episcopal Choir and the Church of our Savior in Montoursville."
When Williamsport's Repasz band was formed there were only 24 stars on the US flag. Organized in 1831, the band has been in continuous existence ever since, and thus is the oldest band in America.
In an 1866 photo of the band, W.L. Scott is standing at the top right, with a drum.
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THE MUCH LONGER VERSION WITH A LOT MORE OF THE DETAILS
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The Remaining Martin Mandolins
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1901 Martin Gaskins Harp Mandolin C. F. Martin / C.H. Gaskins Harp Mandolin This harp mandolin was produced for C.H. Gaskins & Co. of Shamokin, Pennsylvania in 1901. " This mandolin precedes other flat back Martin mandolins by nearly 15 years, and predates similar looking Dyer harp mandolins with "hollow arms" produced by the Larson Brothers by a decade."
There are three known Gaskin mandolins in existence:
Owned by the Martin Museum
owned by museum Museum of Ag & Historic Village in Georgia
Owned by Folk Singer Jess Youngquest
At the Martin Museum
Originally thought to be the only one, there are now 3 known to still exist.
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"Fred" the Martin harp mandolin owned by Jess Youngquest
"Youngquest said he purchased the harp mandolin he calls “Fred” in the little town of Brewster, New York, back in the ’70s, for $75 in an old antiques/junk shop. He had just broken his mandolin and was looking for a replacement. Youngquest has the original wooden case as well, now held shut by a bungee cord. Inside the instrument there are three markings: “W.L. Scott, Xmas 1899 Williamsport, PA; “Made for CH Gaskins of Shamokin, PA; and “CF Martin, Nazareth, PA.”
"Short history of 'Fred, She's a Mandolin'-- she was built by C.F. Martin in Sept 1899, given to W.L. Scott, of Williamsport, PA, as a Xmass present that year ( inscribed inside). I found her in an antique shop in '72 and have letting her sing ever since--" - Youngquest
"Fred" is quite possibly the weirdest looking mandolin I've seen, with the possible exception of Bernunzio's anchor-shaped "no-name" monstrosity. I'll post one of Jess's YouTube videos below so everyone can get a look at it. Jess plays it well, in an energetic, open-string, ragtime-slash-Celtic style. The instrument has a thin, trebly tinkle, belying its huge body, but rings clearly in an ensemble. We finished up the set with a Celtic jam on Wind That Shakes the Barley/Merry Blacksmith, played at breakneck pace, and "Fred" held his or her own against two whistles, guitar and my Eastman mandola.
The one thing that gave me a bit of pause, was that Jess has obviously played the tar out of it, and it shows lots of pick wear around the pickguard, scuffs and scrapes and scratches. The old case is pretty disastrous, worn and stained lining, wooden surface gouged. I almost never begrudge playing damage to an instrument; my attitude is that mandolins are tools to make music, not art objects to sit in a case. But when you have one of the only two in existence, made by one of America's premier instrument builders and something that many collectors would go well into five figures for -- well, if I owned it, it would be on display, not getting whupped in the meeting room of the Clifton Springs library on a Wednesday night. Just sayin'.
Anyway, I felt privileged to be close to a unique piece of mandolin history. I'll post one of Jess's videos below.... Definitely an eccentric, with a truly eccentric instrument. (Which I dearly wish I owned.) " - Allen Hopkins, 2006
In another forum post musicians commented that the above video is not the best example of the sound -
"That instrument should have WAY more open sustain than that! I had my hands on one once, and it rang on with a great wooomph!" Others agreed and Youngquest explained:
" note tail piece. the original bridge raised the strings to high, so every few years I carve a new one out of a block of ebony. consequently the sound of 'her' changes with each new one. I'm still not happy with the sound today, some buzz, not enuff resonance. so, back to the table saw. "
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Photo found on the internet - but I have no idea where this one is located. Is it one of the above, or a 4th?
Applied for in February of 1895, the patent was rejected on March 14th 1895
And rejected again April 2 1895
And, rejected still again April 26th 1895:
In a letter dated May 14th 1895, the examiner stated that the claim may be allowed, if another correction was made.
The claim was finally approved in June of 1895, but not officially until the $20 fee was paid. $20 in 1895 is roughly the equivalent of $800 in 2025. The fee was paid December 7th 1895, and the patent was issued December 31st of that same year.
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More patents:
1900- Slide Bracket
1907, a patent for a hook and eye was issued to Claude H. Gaskins and W. Keiser II, of Shamokin Pa. Patent # 875 255
Johnson and Boak's new Martin Book (volume 2) make reference on page 199 of the Gaskin Mandolin
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Claud H. Gaskins 1867-1937
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Claud H. Gaskins was born July 4th 1867, the son of James & Minnie Gaskins, of Shamokin Pa. In 1889, he is listed in the Shamokin Directory as a clerk. In 1893 he married Catherine "Katie" Houghton.
Claud applied for the patent on his "stringed instrument" in 1895, and it was denied a number of times before being accepted that year. He applied for patents on other items, including a garment hook, a window blind, and a fishing reel, between 1900 and 1907.
In the 1901 Boyd's directory, Claude H.Gaskins is listed as affiliated with Beaver, Gaskins & Co, with his Residence at 705 Liberty Street, Shamokin Pa. A 1934 obituary for Edward Beaver (born in Lewisburg) further tells us that Beaver was in business with Claud H. Gaskins, "of east Race Street" in general dry goods and notions under the firm name of Beaver and Gaskins. The Beaver and Gaskins business was located in the former Llewellyn building, near the Elks home on East independence Street.
In the 1910 census, Claud, Katie and their daughter Madeline are found in Riverside California, where Claude is working in a department store. The directory in Riverside California lists him in 1913 as a "finisher", and from 1914-1916 as a violin maker.
By 1916, Claude & Katie had returned to Northumberland County. The Marriage announcement for their daughter, Magadaline Houghton Gaskins, tells us that they lived at third and oak streets in the Trust Company building in Mount Carmel. Magdaline, "an accomplished violinist", married Leo A Kempiniski of Germany, who was at the time the musical director of Lincoln Square Theater in New York City.
In 1928, the Mount Carmel Item reported the "Claude H. Gaskins, interior decorator and artist craftsman at Louis Grossman Son's store here, conceived the idea of making a Spanish loggia out of a room which had previously been of little use" in the elks home.
In the 1930 census, the Gaskins are in Mount Carmel Pa, on South Oak Street. Claude's occupation is given as Interior Decorator in a Department store. A 1933 article in the Mount Carmel item tells us that he resigned as display manager for Louis Grossman's Sons, "after 14 years of pleasant business relations". The couple planned a trip to New York, and "after spending several months there he will return to this section and will take up arts and crafts."
Katie, Catherine Elizabeth [Houghton] Gaskins, was the daughter of one of the earliest settlers of Shamokin. The daughter of John M. Houghton and Anna Brocious, she was born "in the family homestead erected by her father at Shamokin and Race Streets... Mr. Houghton was one of the city's earliest settlers and a builder by trade.." Katie's obituary in 1936 further tells us that her husband Claude was, in 1936, the "present advertising manager of L. Grossman Mercantile" in Mount Carmel Pa. And, also, that the Gaskin's "had resided in Mount Carmel for 18 years before returning to their own residence on Race Street here two and one half years ago."
Katie [Houghton] Gaskins was cremated, which may explain why her and Claud are found listed on a Houghton stone in Shamokin Cemetery, and not on their own stone. The stone lists, at the top, Benjamin and Isabella Houghton, siblings of Katie who lived less than one year each. Below them are listed Katie E Gaskins 1874-1936, and Claud H. Gaskins 1867-1937.
Claud Gaskins was a member of the Shamokin lodge of masons No 255. He died at the home of his daughter in Flushing NY, in 1937. He, like his wife, was cremated, with his ashes taken to the Shamokin Cemetery.
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READ EVEN MORE
EVEN MORE DETAILS REFERENCES, NOTES, MENTIONS SOURCES =====================
A 1927 newspaper article about a Halloween dance at the elks states that "Claude Gaskins, well known interior decorator of this city (Mount Carmel)" was a member of the Elks.
Johnson and Boak's new Martin Book (volume 2) - a reference on page 199 of the Gaskin Mandolin
"of some importance, as it predates Knutsen's hollow-arm "harp-" concept in America. As only one example is known, and no trade ads have been seen, I suspect that Knutsen was unaware of it. Gaskins' patent pictures a harp mandolin, and he labels it a "mandolin-harp." Yet it is titled "Stringed Musical Instrument," and the summation of the patent specifies only "stringed instrument" - the implication being that the concept could be applied to guitars and other fretted instruments. Thus, it technically predates Knutsen's 1896 "One-arm Guitar" patent, and also Livermore's 1896 harp mandolin patent. Presumably, the latter two were allowed as they were Design Patents as opposed to Gaskins' Utility Patent. One example, built by Martin (!), is known."
https://www.harpguitars.net/history/patents.htm
The Home of Music
From: 125 years City of Shamokin, Pennsylvania 1864-1989
Almost from the time of its inception in pioneer days, Shamokin has been widely known as a music-loving community, famed for its musical organizations and their outstanding accomplishments.
Starting with the Philharmonics of 1883, organized with the object of "cultivating music among its members and to encourage and aid the culture of music in the community," the board of directors "designated the place of sitting of each member at rehearsals." Honorary members were such persons as are distinguished for their love of music.
So far as memory serves, we shall enumerate other musical organizations of the yesteryears who paved the way for the master musicians who were to follow.
The German Mannerchor was another vocal organization that won fame and friends in the early days. The jovial membership of 150 entrusted music development to about 25 members, the remainder supplying joviality. Then came the opera, "Pinafore," and the cantata "Queen Esther." In the latter production, principal vocal parts were ably carried by Mr. William Thomas and the Misses Caroline Haas, Maud Thomas, Kathryn Kutzner, and Carrie Evert, and others. J. Q. Adams excelled in the principal male role. It remained for F. B. Fisler and J, J, Helfenstein to carry off the comedy honors.
A younger generation then presented the rollicking opera, "Pirates of Penzance," with Frank Stemson directing. Next came oratorios under the auspices of the various churches.
The success of the Philharmonic Choral Society and its notable achievements at regional festivals when competing with the best choruses in the Anthracite territory are well known. The Cecilian Club, formed in the later years of these accomplishments, continues today as a woman's cultural organization.
Instrumental was also in order in the good old days of music. The Bohemian Banjo and Mandolin Club, the Shamokin banjo club, whose balanced assembly of banjos, mandolins, guitars, and violoncello, delighted audiences that attended their annual concerts in the old G. A. R. Opera House. Then there was an organized the Zouave Fife and Drum Corps, composed entirely of Civil War veterans, who furnished martial music for Lincoln Post No. 140, G. A. R., their sponsor.
No record of this kind would be complete without mentioning John B. O'Connor's orchestra, which fiddled for footlight favorites during the years that the Lincoln Post conducted its own playhouse. The "Fiddlers Three" of Old King Cole had nothing on the three Johns who were numbered among this celebrated aggregation. John O'Connor was the leader and able violinist; John Yordy drew mighty volumes of tone from the big bass viol, while blind John Henry presided dexterously over the ivories. Totally blind, John Henry was a master pianist whose memory and ability to extemporize was the wonderment of the many musical companies that appeared in the G. A. R. footlights.
Other individual performers in the world of community music included Curtis, whose flailing arms extracted music from the concertina; Joe Kelly, who trilled the mandolin; Claude Krouse, who could produce more musical sounds from a banjo than twenty ordinary strummers; Claude Gaskin, a virtuoso on a variety of musical instruments; and the dusky "Slab" Enty, a master genius with a guitar.
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Mandolin in the Georgia Museum
TIFTON — When the Martin Guitar Co. shipped out five new harp mandolins on Oct. 21, 1899, there was no way to know that 122 years later one of those instruments would have a connection to Abraham Baldwin Agricultural College.
“It’s an incredible story,” Polly Huff, curator at ABAC’s Georgia Museum of Agriculture, said. “When I first saw it, I knew we had something special on our hands.”
When long-time ABAC Professor of Art Donna Hatcher passed away on Aug. 9, 2020, she left a key to a safety deposit box. When Hatcher’s parents found the mandolin in the safety deposit box, they brought it to ABAC to be examined by Matthew Anderson, dean of the School of Arts and Sciences, and Susan Roe, the college’s Fine Arts Department head.
Anderson and Roe immediately called on the curatorial expertise of Huff.
“I wanted to provide Donna’s parents with as much information about the artifact as possible, in order for them to be able to make the right decision about where it should go,” Huff said. “I was also interested in studying the artifact since it was from the period of history that we cover at the museum.
“Above all, it was a rare artifact with a seemingly lost story, which is the type of item that is at the top of my research interest list.”
Hatcher’s parents said they believe their daughter purchased the mandolin for $200 in late 1996 or early 1997 from Millport Landing, an antique store in Millport, New York.
With some assistance from her ABAC research intern, Lyndsey Pryor, Huff followed a long trail of evidence to find that the instrument was one of five Style 18, Ebony guard mandolins sold on Oct. 21, 1899, by C.F. Martin of Nazareth, Pennsylvania.
Huff said it appears the mandolin is the only one of the five that survives. The mandolins were originally priced at $13.50 each. Founded in 1833 and still in full operation today, the Martin Guitar Company made 22 of the instruments between 1895 and 1899.
The patent for this mandolin was drawn by C.H. Gaskins of Shamokin, Pennsylvania. The features of the Hatcher mandolin are more along the lines of Style 18 Martin guitars, and it has an ebony guard. Martin mandolins usually had their own style, so it is interesting that the company referenced guitar styles for some of the Gaskins’ mandolins.
As a part of her research, Huff contacted a well-known New York state folk musician, Jess Youngquest, who has appeared on YouTube playing his own Gaskins/Martin harp mandolin. He owns the single mandolin made in the Oct. 12, 1899 batch, the one with Ivory guard and bound, probably the most unique of the bunch.
Youngquest said he purchased the harp mandolin he calls “Fred” in the little town of Brewster, New York, back in the ’70s, for $75 in an old antiques/junk shop. He had just broken his mandolin and was looking for a replacement.
Youngquest has the original wooden case as well, now held shut by a bungee cord. Inside the instrument there are three markings: “W.L. Scott, Xmas 1899 Williamsport, PA; “Made for CH Gaskins of Shamokin, PA; and “CF Martin, Nazareth, PA.”
Huff said her research led her to believe that at least three other harp mandolins survive from the 1895-1899 original batch of 22 besides the Hatcher mandolin and the Youngquest instrument.
Huff collaborated on the project with the Martin Museum in Pennsylvania, the Metropolitan Museum of Art in New York City, the Musical Instruments Museum in Phoenix, Arizona, the National Music Museum in Vermillion, South Dakota, the Millner Harp Guitars Museum in Pennsylvania, and the Sigel Music Museum in Greenville, South Carolina.
“Throughout the process of researching the instrument, I was reminded of my friend Donna’s eye for the unique and different,” Huff said.
“I quickly understood why she had purchased and preserved this rare piece of history.”
Huff said the Hatchers are now in the process of finding the appropriate home for the rare mandolin, which undoubtedly has traveled thousands of miles and played many a tune during its 122 years of existence.
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GASKINS MILITARY BAND
Was Claude involved with the Gaskins Military Band in Sunbury? I don't know - but I don't think so. I believe this was originally the Sunbury Cornet Band, and later it was renamed for Ben Gaskins...