Curt Teich Large Letter Postcard for Williamsport Pa
"Large-letter", or "Greetings From", postcards began popping up in the U.S. in the late 1920s and became really popular from the 1930s through the 1950s. These postcards featuring photos inside large letters spelling out the location, where a popular way, before the advent of computers and social media, to show off their travels to loved ones back home.
Curt Teich , an immigrant and pioneer of the offset printing process, began his postcard company as early as 1898. But it was in the 1930s that the firm took off with a new process, producing what would become a wildly successful design trend of bright, graphically illustrated linen postcards.
In Teich's Chicago studio, professionally taken, but somewhat dull black & white photos would be retouched, usi everything from mechanical airbrushes to precision sable-tipped brushes. The images were cleaned up, colorized, and details were sharpened. They process made a nondescript or unattractive business look clean and bright, and small towns look perfect with dazzling skies in colorful hues.
Soon Teich added "Large Letter" postcards. "So-called large-letter postcards weren’t new when a German immigrant named Curt Teich began producing colorful linen-textured versions in the early 1930s, but he “was kind of a genius,” said Will Hansen, curator of Americana at the Newberry Library in Chicago, home to largest public collection of Teich postcards in the United States.
Teich was not the only manufacturer of the large letter design, but he is one of the best known. "Just as Henry Ford revolutionized automobile production, Teich’s company perfected a system of mass producing large-letter postcards based on the idea that no town was too small to include."
These postcards’ popularity in the 1940s, 50s and 60s was fueled by an obsession with the automobile and the adventure of road travel. Teich and his imitators used saturated colors and simplified scenes to paint an enticing view of mid-20th-century America.
His linen-style postcards depicted an optimistic view of America, creating a unique record of national tourism and documenting the U.S. landscape from its smallest towns to its grandest natural wonders. The cards—and Teich’s runaway success selling them—also reflect an era when a boom in highway construction and an uptick in auto sales were changing the way Americans worked, played, vacationed, and communicated with one another.
For non-collectors, sending the postcards to friends and family was an inexpensive way to show off their travel. Today, travelers pose in front of murals around the country that mimic the vintage postcards and share photos on social media.
By the mid-1950s, the Teich aesthetic began to fade and was replaced with hyperrealist, photographic postcards.
Links to Large Letter Post Card Collections:
- https://www.pinterest.com/libraryofva/greetings-from
- https://vintagraph.com/collections/1940s-50s-greetings-postcards
- https://archives.newberry.org/repositories/2/resources/1282
- Quotes taken from - Part of a recurring Ap Press series, “American Objects,” marking the 250th anniversary of the United States.
- Library Of Virginia
- https://www.smithsonianmag.com/travel/immigrant-story-behind-classic-greetings-from-postcards-180970894/

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